Journal of the stylistic of Persian poem and prose
volume Number 18، number In Volume 3، June 2025 ، issue Number 109

Analysis and study of artistic compositions in the general manuscript of Mirza Baqer Hosseini Natanzi

Fatemeh Chehrazi , Mohammad Hakimazar (Author in Charge), Asghar Rezapourian

Abstract

BACKGROUND AND OBJECTIVES: The manuscript of Mirza Baqer Hosseini Natanzi"s Divan is one of the surviving literary works of the Indian style and the Safavid period, which includes about seven thousand verses in the form of ghazal, masnavi, rubai, ghazah and couplet. In addition to being valuable in terms of literature, this work contains rare or rarely used artistic compositions. In this article, we have tried to analyze and study the artistic compositions in the Divan of this Indian style poet based on his linguistic non-normativity.

METHODOLOGY: This research was conducted using a library method and a manuscript study of Mirza Baqer Hosseini Natanzi"s Divan. The scope of the study is the entire work, which has been corrected in the doctoral thesis of Ms. Fatemeh Chehrazi at the Islamic Azad University, Shahr-e-Kord Branch.

FINDINGS: The research findings show that composition as one of the creative techniques and one of the types of linguistic non-normativity has been considered in the Divan of Mirza Baqir Hosseini Natanzi. The compositions constructed by the poet are mainly simple and fluent, and grammatically most of the compositions are in the center and of the type of additional compositions, and although Mirza Baqir is a poet of the Indian style era, there is no trace of the difficulties of the poets of this style and the elusive, obscure and complex composition in his poems.

CONCLUSION: In the Divan of Mirza Baqir Hosseini Natanzi, one of the poets of the Indian style, examples of non-normativity with the help of composition are found, which are sometimes very rarely used and unique. Vocabulary in the process of composition in Mirza Baqir"s poetic language has gained prominence and created new images. Mirza Baqir has used colloquial language combinations, combinations in maximum brevity and brevity, and the original images resulting from these new combinations well and in complete simplicity, understanding, and ease of meaning.

Keyword
Linguistic processes , Composition , Mirza Baqir Hosseini Natanzi , Indian style , Foregrounding

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